reading:
John Bowe (ed): Gig: Americans Talk About Their Jobs
Gail Simone: Birds of Prey
Sarah Vowell: Take the Cannoli
Howard Zinn: People's History of the U.S.
You know what'd be an awesome, AWESOME way to end the remake of The Stepford Wives? That'd be a total twist on the concept, without subverting or betraying the themes?
Nicole Kidman pretends to be a robot to escape being murdered. And then she has to keep pretending to be a robot. Forever. She can't escape, she can't take down the system from within (perhaps because of her children -- they're hostages or something). She's just trapped in this perfect sunny existence where she has to pretend to be happy and loving and nurturing and self-sacrificing all the time. And so the last shot of the movie is Nicole smiling at the camera, big plastic smile, and we go close on her eyes and they look to be on the edge of tears. Or perhaps there's no expression at all. Just... blank. She's still human, she's just... blank.
I mean, this ending could never ever happen. Too dark, etcetera. But I still want to travel back in time and make it happen somehow.
Regarding the movie that is... The trailer is horribly conflicted, as they don't really blend in the dark with the comedy too well. But the modern touches are interesting. Like, they've added a gay couple to the town of Stepford. I'm kinda intrigued by how that'll play.
Not that I'm likely to see it. I got a date with a man named Riddick that weekend. I'm just saying.